alias_sqbr: the symbol pi on a pretty background (Default)
I recently read two different fantasy novels I've had recced to me as refreshingly progressive but still mainly just light escapism and had two quite different reactions.

The 10 000 Kingdoms by N K Jemisin: This has been widely touted as THE great Epic Fantasy Novel By and Featuring A POC, but I've also seen lots of people really irritated at all the praise, and I can see where both are coming from. It is a cheesy, self indulgent book that is most enjoyable if you breeze through it quickly without thinking too hard and have similar narrative kinks to the author (lots of incest between gods and the Angst Of The Immortal Made Slave. Think Dark Jewels crossed with Chalion). While the prose is very readable the execution leaves a lot to be desired, especially in fleshing out things like the main romance.

If the protagonist was white the book wouldn't seem as remarkable, but she isn't, and her POCness (both by the standards of our world and the standards of hers) is both a significant part of her character and a natural seeming part of the story rather than feeling pasted on. That shouldn't be remarkable, but it is. I'm not in a position to judge how well race is handled but Jemisin certainly shakes up the tropes of generic Eurofantasy while telling an entertaining yarn and I am looking forward to reading the next book in the series (though I could stop here and feel satisfied enough. For that alone she deserves praise :D)

Un Lun Dun by China Mieville: I like fantasy, but am often pissed off by how very in love it is with Kings and Destiny. People keep recommending me China Meiville as an antidote and I keep being disappointed and this was no exception.

The main character is the plucky desi friend of the dreamy blonde Destined One Who Will Save Us All. I really like that setup, and I like her and the characters, and the basic worldbuilding and plot structure etc was all fine with lots of inventive ideas and cute drawings. But as with Railsea what I think ultimately annoys me is that he's obviously trying to write a more progressive version of the early 20th century kids books he enjoyed as a boy, but the progressiveness DOES feel pasted on.

As with Railsea the protagonist meets people from charming, quaint, strange subcultures, all of whom end up being totally loyal to her and she leads them all to victory despite being very young and inexperienced. It all feels very typical of the naturally noble young Spirit of Englishness and those plucky adorable working class folk who love to serve them. He throws in some POC and some background queerness and competent female characters who do stuff which is all great, and if I wasn't constantly told how BRILLIANTLY LEFT WING and SUBVERSIVE it all is I probably wouldn't care.

Admittedly I haven't read his adult books since they all sound too depressing, but if they're better that's actually more annoying: it's children who really need their assumptions challenged, not adults. Terry Pratchett does it much better imo (not without missteps, but he doesn't take himself so seriously) as do Miyazaki and le Guin. I do like that he encourages children not to trust the government though, you can never teach them that too young :D
Spoilers for Un Lun Dun )
alias_sqbr: the symbol pi on a pretty background (bookdragon)
Boy it's good to be home! Had a blast this year, met and talked to lots of people. Feeling moderately drained but not entirely terrible, time will tell how much I crash tomorrow.

The cat is trying not to make it obvious how happy she is to see us and is currently curled up by my legs :)

Galactic Suburbia podcast recording, How to write fight scenes, Religion Creation in fantasy, Classic Doctor Who, female characters in the background, 2012 launch, vidding )
alias_sqbr: the symbol pi on a pretty background (bookdragon)
Something I really wish existed, but I am SO not up for creating/moderating is a comm for discussing romance novels from a social justice perspective.

Basically I want somewhere I can ask "Which Loretta Chase books that I haven't read aren't TOO horribly racist?" and "Are there any regency romances where the hero isn't of noble birth? Are regency romances doomed to a certain amount of classism?" and stuff like that. There's Smart Bitches Trashy Books (Which I was not subscribed to until now, for no good reason, but have made a feed for: [syndicated profile] smartbitches_feed) but that's a blog and I don't like commenting on blogs so I'm stuck being a passive consumer.

I poked about for existing comms and there's a bunch about romance novels, but for example note the first response to this post on the romancenovels lj-comm asking about historicals with interesting class issues. What's the bet the Pasha's secret is that he's white? :/ (EDIT: I checked the Amazon page, and sure enough he is)

EDIT: Oh hey, I meant to post this to [personal profile] sqbr, oops. Meh, it can stay here, it's not like it's a Deep Analytical Post or anything. But no imbroglio-ing in the comments!

EDIT 2: Posted to create_my_comm, thanks for the suggestion [personal profile] torachan!
alias_sqbr: the symbol pi on a pretty background (bookdragon)
Draft program presentation

Note that there's notes available from the "Actions" menu.

So:
Any thoughts?
Anyone want to run the panel with me? (I'd prefer someone who identifies as disabled or at least has a moderate amount of experience with disability/chronic illness, but I'm somewhat open)

(nb I deleted the original lj version so I could use the "comments on dreamwidth" counter)

EDIT: But it didn't work! Clearly I need to play around with the crossposter. Anyway here is the lj post and here is the dw one (cross posted since lj is more swancon-ish and dw more disability-ish)

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