alias_sqbr: the symbol pi on a pretty background (bookdragon)
This is deliciously absurd (but not funny), about starships powered by enslaved gods. I have a huge soft spot for sf which takes supernatural phenomenon seriously in the right way, so that you actually believe there's a consistent logic behind it all without losing sense of cool that makes fantastic elements worth writing about in the first place.

Not a perfect novella, but I found it a gripping read. Quite dark and violent, in the way I like but it's not going to be to everyone's tastes.

EDIT: Heh. Am reading the sample chapters of "The Secret Feminist Cabal", written by local fan Helen Merrick, and was put off on the first page by the use of the word "cookies". Don't given into American cultural imperialism, Helen! Biscuits and tea for all!

EDIT 2: So like ten of you comment on the cookies and not one of you thinks to mention that the title of this post was about the Hugis. Man, I suck at typing.
alias_sqbr: the symbol pi on a pretty background (bookdragon)
Since I didn't finish these I am plausibly interrogating the text from the wrong perspective.

Shambling Towards Hiroshima by James Morrow:

I'm pretty sure this is a fantastic example of it's type, but it's type doesn't really interest me. I got to page 60 then skipped to the end (page 200ish) and didn't feel like I'd missed much.

In the 1980s an old hollywood scifi writer/actor tells the story of being recruited by the US government for stuff I will not spoil. It's a quite clever and effective pastiche of writer memoir (it reminded me a lot of "Adventures in the Screen Trade" by William Goldman) with monster movie nostalgia and old school anti-war satire sf, but stuff satirising the 1950s war machine needs to be at least one of very funny, very insightful, or very accurate to interest me and this didn't quite make the grade on any of those counts. I think I'd rather read an actual old school anti-war satire written in the 70s etc than this oddly retro one.

Palimpset by Charles Stross:

A guy joins a time travelling organisation which keeps an eye on history and humanity.

I got to page 8 then skipped to the end (page 47). I don't know why this didn't grab me, I love time travel and the premise was pretty cool, maybe because I didn't care about the main character at all or feel like waiting around for his inevitable realisation that All Was Not As It Seemed.
alias_sqbr: the symbol pi on a pretty background (bookdragon)
So! I didn't really like any of the short stories that much (though some were ok) but have genuinely enjoyed most of the novelettes, I think the extra length gives space for actual characterisation and plot.
Read more... )
alias_sqbr: the symbol pi on a pretty background (bookdragon)
These are all series I was already familiar with, which speeds up the reading process.

"Girl Genius, Volume 9 Agatha Heterodyne and the Heirs of the Storm": Made. Of. Awesome. Steampunk about mad geniuses in pseudo-Europe. It's slowed down a bit recently but this particular storyline is still great.

"Schlock Mercenary: The Longshoreman of the Apocalypse": I mostly like Schlock Mercenary, it's fun clever space opera despite it's flaws (though they do grate a bit), and this plot was ok.

"FABLES: THE DARK AGES": Reading Fables (about fairy tale characters living in the modern day) always gives me a bad taste in my mouth and I'm not sure why. The premise and characters are interesting, and it's well written and very nicely illustrated but...I just don't like it. I read the first pdf to make sure I disliked this as much as the previous volumes I've read and I did.
alias_sqbr: the symbol pi on a pretty background (bookdragon)
"Bridecicle" by Will McIntosh

I quite liked this. Very archetypical sf short, somewhat heavy handed allegory about gender and society and stuff but it didn't go to the overly dark place I thought it was going and made it's point reasonably well.

"Bride of Frankenstein"

This is better written, the prose flows lightly and has a clever humour to it, but the basic premise ("Lol! Imagine if Frankenstein's wife was a whiny shrew!") is a creaky collection of stereotypes saying nothing very interesting.

"The Moment" by Lawrence M. Schoen

I liked this when it was a deeply implausible stream of space-opera-ish pseudo-history, but not when it took itself seriously.

Hugos: Up

May. 13th, 2010 03:38 pm
alias_sqbr: the symbol pi on a pretty background (I like pi!)
This is a pretty good film. I wasn't entranced the whole way but it was entertaining and interesting and made me cry in a good way, certainly one of Pixar's good films if not one of their best.

I'm not going to complain too much about the Bechdel fail since there weren't many characters and the one (one!) female character with more than like one line was pretty cool. But the minor characters were way more male-only than was necessary or even made any sense, and it annoyed me that it was strongly implied that ALL child+camping mentor relationships are male-only.

There was a bit of a "If you REALLY need to you can overcome your physical limitations" thing but I guess that's the way action scenes tend to work, and it was nice having a main character with mobility problems.

Carl TOTALLY reminded me of my Grandad, with the grumpiness and the obsession with faraway places and holding things together with straps and tape. He even looks kind of like him and has a North American accent (Canadian though, so he might not like the comparison :)) Which, since Grandma died last year and Grandad's increasingly senile made me extra weepy :( But it was very sweet.
alias_sqbr: the symbol pi on a pretty background (bookdragon)
Another Hugo nominee, this one from the library since it's not in the packet afaict.

On the whole, I really liked it. Probably my favourite Hugo nominee so far.
EDIT (having read Wikipedia): This is actually the end of a run, which I'm going to go find the previous issues of. This post may be spoilery for previous issues of the comic.

I have a few issues though:
1)It's part of an ongoing superhero comic narrative, and gives huge amounts of exposition-y backstory, yet also assumes the reader has some context I was obviously missing. I don't know that all of it was necessary either.
2)The plot moved very fast, and a lot of things weren't so much story as illustrated plot summary. This plus the previous issue made a lot of it feel like the storyboards for a much longer story.
3)Every now and then I got a skeevy vampires=Jews subtext. I definitely don't think it was deliberate, nor that Paul Cornell is necessarily particularly anti-Semitic, just that the particular plot choices he made combined together unfortunately. YMMV.

Anyway, basically Dracula decides to take over Britain and the British superheroes + Blade (EDIT: who is apparently English!) band together to try and defeat him. And it's very Marvel, but it's also intelligently written and exciting and interesting.
No particular spoilers, just rambles )
alias_sqbr: (happy dragon)
I have reserved a bunch of Hugo nominees at the library and today the first two came in. In most cases I know pretty much nothing about them that isn't evident from the title and author.

"What ever happened to the caped crusader" by Neil Gaiman: The Wake, but for Batman. Not bad, but had no overarching plot nor any very interesting message I could fathom, and felt rather generically Gaimanish. I probably would have enjoyed what is basically a love letter to Batman more if I loved Batman rather than just liked the series and character a bit sometimes.

"Wake" by Robert J Sawyer: So, I knew NOTHING about this going in. In the first scene the main character, a disabled young woman who loves maths, updates her livejournal. This was so close to what I'd just been doing I shut the book and felt a little weirded out. But I am definitely intrigued :)
And also on the way home I popped into the second hand bookstore and got a copy of "More than Human" by Theodore Sturgeon, huzzah.

EDIT: Oh dear. Her username is Calculass, and her best friend's is BrownGirl4 aka "Girl who likes maths and her nonwhite/POC best friend"(*). Overall it feels like the author read an article about how teenage girls use livejournal and skimmed some entries but doesn't entirely get it.

(*)I realise there are people who have usernames like that, but for example looking at my friends list there's a few that are relatively informative like [livejournal.com profile] leecetheartist or [livejournal.com profile] strangedave but the only one that sounds like the sorts of unambigously descriptive yet vague username you get in fiction is [livejournal.com profile] goth_grrl...and that's a fictional username from a parody of an IRC channel :)

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